HI，我是释开达！最近我刚为自己的OC"丹砂"办了场"魔法星球"展览🪐
Hi, I'm Yiyi Wang! I recently organized a "Magic Planet" exhibition for my OC, Dansha 🪐
关键词：#OC展览策划 #IP项目复盘 #丹砂 #展览 #独立艺术家 #策展 #粉丝共创 #活动案例 #裸眼3D #艺术衍生品 #复盘
Keywords: #OCExhibitionPlanning #IPProjectReview #Dansha #Exhibition #IndependentArtist #Curation #FanCoCreation #CaseStudy #GlassesFree3D #ArtMerchandise #Review
在开始聊这次"魔法星球"的奇妙旅程前，容我先简单介绍下我的个人IP项目——"梦行人"(Dreamwalking)。
Before we dive into the magical journey of this "Magic Planet," allow me to briefly introduce my personal IP project—"Dreamwalking".
这不是个一蹴而就的项目，更像是一场持续进行中的探索。我尝试着用故事和艺术，看看能不能带来一点点疗愈的力量。
This isn't a project born overnight; it's more like an ongoing exploration. I'm trying to use stories and art to see if they can bring a little bit of healing power.
故事的主角叫"丹砂"(Dansha)，是我的原创角色 (OC - Original Character)。你可以把她想象成一位穿梭在虚拟世界的引路人。
The protagonist is named "Dansha," my Original Character (OC). You can imagine her as a guide traversing the virtual world.
老实说，在这个持续创作的过程中，我最享受的就是捣鼓各种数字技术，把它们融合起来。边走边学，不断迭代，也挺有意思的。
Honestly, during this ongoing creative process, what I enjoy most is tinkering with various digital technologies and integrating them. Learning as I go, constantly iterating—it's quite interesting.
我的一个小小心愿是：能一边享受创作乐趣，一边为同样喜欢数字艺术、ACG文化的朋友们，慢慢搭建一个让人放松、沉浸的数字疗愈小角落。🌌
My small wish is: while enjoying the fun of creation, to slowly build a relaxing, immersive digital healing corner for friends who also love digital art and ACG culture. 🌌
📋️... 可能有朋友对"OC文化"不太熟悉。简单来说，OC就是 "Original Character"，原创角色的意思。这是一个充满活力和创造力的圈子，大家在这里设计、分享自己的原创角色故事，交流互动特别频繁！我的许多创作灵感，都源于这个充满活力又年轻的文化圈。💚
📋️... Some friends might not be familiar with "OC culture." Simply put, OC means "Original Character." It's a vibrant and creative community where people design and share their own original character stories, with frequent interaction and exchange! Much of my creative inspiration comes from this lively and youthful cultural circle. 💚
Origins: How Did It All Begin? (Some Coincidences + A Bit of Impulse 😉)缘起：一切是怎么开始的？(一些巧合+一点冲动 😉)
"丹砂的魔法星球"这个想法，其实是几件看似不相干的小事儿，不经意间凑到了一起：
The idea for "Dansha's Magic Planet" actually came together unintentionally from a few seemingly unrelated small things:
Inspiration from a relatively successful co-creation attempt一次还算成功的共创尝试带来的启发：
之前我举办过一次 "寻找丹砂的家居服" 活动，邀请大家为我的OC丹砂设计日常服装。那次活动收到了超乎想象的热情回应和许多精彩设计！真的特别感谢 @TourBox 和 @人民邮电出版社 当时的奖品赞助 🙏。这次活动让我看到了同好们惊人的创造力，也感受到了大家一起为爱发电、共创内容的乐趣。顺便说一句，现在丹砂身上穿的这套，就是当时金奖得主的作品哦！
Previously, I held a "Finding Dansha's Loungewear" event, inviting everyone to design casual outfits for my OC, Dansha. The event received an unexpectedly enthusiastic response and many brilliant designs! I'm incredibly grateful to @TourBox and @Posts & Telecom Press for their prize sponsorship back then 🙏. This event showed me the amazing creativity of fellow enthusiasts and the joy of creating content together out of passion. By the way, the outfit Dansha is currently wearing is the winning design from that contest!
A popular activity suggestion from the "circle"来自"圈内"的热门玩法提议：
那段时间，我的粉丝群里大家经常聊起 "绘画接龙" (Drawing Relay) 这个玩法。简单来说，就是几个人一组，像接力赛一样，每个人在前一个人画作的基础上继续创作，最终完成一幅意想不到的作品。这种形式和单打独斗的创作很不一样，充满了协作、即兴和未知的惊喜，在年轻的艺术爱好者和创作者圈子里人气超高！当时我就觉得，这个形式太有趣了，很适合大家一起玩！
Around that time, people in my fan group often talked about the "Drawing Relay" activity. Simply put, several people form a team, and like a relay race, each person continues creating based on the previous person's artwork, ultimately completing an unexpected piece. This format is very different from solo creation, filled with collaboration, improvisation, and unknown surprises. It's incredibly popular among young art lovers and creators! I thought this format was so fun and perfect for everyone to play together!
A "tech connection" forged at a competition一次比赛结下的"技术之缘"：
在一次数字艺术比赛的场合，我认识了 @ALLHOLO 团队。他们有一种很酷的裸眼3D技术（基于光场原理，有独家光学专利，和米山舞这样的艺术家合作过👍）。我们一聊起来，发现彼此都对IP与前沿技术的结合很感兴趣，简直一拍即合！于是就萌生了能不能一起合作，把我的OC丹砂和他们的3D技术结合，共同推出一款联名产品的想法。
At a digital art competition, I met the @ALLHOLO team. They have this cool glasses-free 3D technology (based on light field principles, with exclusive optical patents, they've collaborated with artists like Mai Yoneyama 👍). We started chatting and discovered a mutual interest in combining IP with cutting-edge technology – it was an instant click! This sparked the idea of potentially collaborating to merge my OC Dansha with their 3D tech and co-launching a product.
A "venue invitation" from old friends一个来自老朋友的"场地之约"：
说起来，我和上海插画小镇的负责团队之一（@之间插画）的两位主理人小姐姐早就认识。之前我们也有过一些愉快的合作，比如办过讲座，搞过一些小小的展陈尝试。这次，她们正好在策划2025年4月的活动档期，想尝试一些新的展览主题，看看除了传统的插画艺术节，还能玩出什么花样。于是她们就找到了我，问我愿不愿意做一个以OC为主题的小型展览，来测试一下这个方向在线下的反响。这对我来说，简直是瞌睡遇到了枕头，一个绝佳的机会！
As it happens, I already knew the two managers from one of the teams responsible for Shanghai Illustration Town (@Between Illustrations). We'd had some pleasant collaborations before, like holding lectures and trying out small exhibition setups. This time, they were planning their April 2025 event schedule and wanted to experiment with new exhibition themes beyond the traditional illustration art festival. So, they approached me and asked if I'd be willing to put on a small-scale OC-themed exhibition to test the offline response to this concept. For me, it was like finding a pillow when sleepy – a perfect opportunity!
🤔 所以，问题来了… So, Here Was the Question…
怎么把这些线索——IP的情感、新技术的尝试、大家的共同创作、线下场地的邀约、还有我个人的小小私心——都巧妙地编织在一起，变成一个既有灵魂、又能落地、还好玩的故事呢？
How could I skillfully weave together these threads—the emotion of the IP, the experimentation with new technology, the community's co-creation, the offline venue invitation, and my own little personal desires—into a story that had soul, was feasible, and also fun?
💡 于是，"丹砂的魔法星球" 这个概念，在我心里悄悄萌芽了。
💡 And so, the concept of "Dansha's Magic Planet" quietly sprouted in my mind.
它不只是一个活动的名字，更像是一个能装下各种奇思妙想的容器。我希望用它来承载：
It wasn't just a name for an event, but more like a container capable of holding all sorts of whimsical ideas. I hoped it would carry:
- 💚 属于"梦行人"的那份神秘和疗愈感
💚 The sense of mystery and healing inherent to "Dreamwalking" - 💡 对酷炫新技术的那么一点点好奇和尝试
💡 A dash of curiosity and experimentation with cool new tech - 🤝 和大家一起玩、一起创造的快乐
🤝 The joy of playing and creating together with everyone - 🏛️ 一个能让大家走进来、亲身感受的小小世界
🏛️ A small world that people could step into and experience firsthand
当然，要把这个想法变成现实，光靠我一个人是不够的。这次项目更像是一次多方协作的小实验：
Of course, turning this idea into reality wasn't something I could do alone. This project was more like a small multi-party collaborative experiment:
- 我 (@释开达): 作为IP主理人和项目发起者，负责整体概念策划、世界观构建、视觉设计与动画制作、线上活动（绘画接龙）组织宣传、与各方沟通协调、展览内容策划与设计。基本上是"全能打杂工" 😉。
Me (@Yiyi Wang): As the IP owner and project initiator, responsible for overall concept planning, world-building, visual design and animation production, organizing and promoting online activities (Drawing Relay), coordinating with all parties, and planning and designing the exhibition content. Basically, the "all-around gofer" 😉. - @ALLHOLO: 技术担当和产品共创伙伴。负责裸眼3D小夜灯的技术实现、联合设计、生产对接与品控，并提供了展览现场的裸眼3D显示设备支持。
@ALLHOLO: Technology lead and product co-creation partner. Responsible for the technical implementation, joint design, production liaison, and quality control of the glasses-free 3D night light, and provided glasses-free 3D display equipment support for the exhibition site. - @之间插画 (上海插画小镇): 场地与机会提供方。提供了宝贵的线下展览空间以及大部分物料制作和现场执行，促成了这次OC主题展陈的尝试。
@Between Illustrations (Shanghai Illustration Town): Venue and opportunity provider. Offered the invaluable offline exhibition space, handled most of the material production and on-site execution, making this OC-themed exhibition attempt possible. - 粉丝与共创参与者: 灵感来源与内容共建者。参与了前期的家居服设计、绘画接龙活动创作，并在展览现场积极互动、投票，是整个项目活力的重要来源。
Fans and Co-creation Participants: Source of inspiration and content co-builders. Participated in the early loungewear design, the Drawing Relay activity creation, and actively interacted and voted at the exhibition site, becoming a vital source of the project's energy.
Act II: Sparks Fly!火花四溅
IP衍生品开发：丹砂 × 裸眼3D小夜灯的技术联姻💡 IP Merchandise Development: The Tech Marriage of Dansha × Glasses-Free 3D Night Light💡
和 ALLHOLO 的合作，我们想玩点不一样的，试试把IP和新技术结合起来。
In our collaboration with ALLHOLO, we wanted to try something different, to attempt combining IP with new technology.
他们的核心就是酷炫的裸眼3D技术。至于用什么承载这份技术，我们俩团队可没少琢磨 🤔。选择小夜灯，不仅仅因为它是个实用的载体，更因为它本身就带有一种温柔、安宁的属性，这与'梦行人' IP 所追求的疗愈感不谋而合。
Their core is the cool glasses-free 3D technology. As for the medium to carry this tech, both our teams mulled it over quite a bit 🤔. We chose the night light not just because it's a practical vessel, but also because it inherently possesses a gentle, serene quality, perfectly aligning with the healing aspect pursued by the 'Dreamwalking' IP.
这并非简单的IP授权，而是深入的共同设计。小夜灯的温暖光芒承载着'梦行人'的疗愈感，裸眼3D的立体光影则强化了丹砂与魔法星球的神秘梦核氛围，仿佛一个微缩的奇幻入口。我们尝试通过科技与IP内核（疗愈、神秘）的结合，让衍生品也能讲述故事、传递情感。
This wasn't a simple IP licensing deal, but deep co-design. The night light's warm glow carries the healing sense of 'Dreamwalking', while the glasses-free 3D's stereoscopic light and shadow enhance the mysterious dreamcore atmosphere of Dansha and the Magic Planet, like a miniature fantasy portal. We aimed to combine technology with the IP's core (healing, mystery), enabling the merchandise itself to tell stories and convey emotions.
"痛并快乐着"：3D小夜灯的"难产"日记 😅 "Painfully Joyful": The Difficult Birth Diary of the 3D Night Light 😅
当然啦，过程嘛，总少不了磕磕绊绊，甚至可以说是'痛并快乐着'：
Of course, the process inevitably involved some bumps and bruises, you could even call it 'painfully joyful':
- 效果是'磨'出来的，真的！ 要想让裸眼3D呈现理想效果，对原始图像的要求还挺特别的（这里涉及到一些技术细节就不展开了）。为了输出符合他们技术要求的图，我反反复复调整、输出了数十次才搞定 (感觉发际线都后移了...)。光是核心的那个灯片部分，就打样了整整3版才最终确认。过程相当磨人。
The effect was truly 'ground out'! Achieving the ideal glasses-free 3D effect has quite specific requirements for the source image (I won't delve into the technical details here). To output images meeting their technical specs, I had to adjust and export repeatedly, dozens of times (felt like my hairline was receding...). Just the core light panel part went through 3 full rounds of prototyping before final confirmation. The process was quite demanding. - 品控是个大问题： 工厂生产总有意外（比如底座、内容的返工），只能和品牌方一起盯紧每个环节，生怕最后效果打折。沟通，是那段时间的主题曲。
Quality control was a major challenge: Factory production always has surprises (like reworks for the base or content). We could only monitor every step closely with the brand partner, fearing the final effect would be compromised. Communication was the theme song of that period. - 钱包在'哭泣'💸： 效果要好，成本也得控制。第一次合作，怎么找到那个平衡点，也是个让人头秃的问题。
The wallet was 'crying' 💸: We needed good results, but also had to control costs. Finding that balance in a first-time collaboration was another headache-inducing problem.
不只是游戏：一次由粉丝建议引发的"共创实验"🧪 More Than Just a Game: A "Co-Creation Experiment" Sparked by Fan Suggestions 🧪
有了概念、动画，还有了酷炫的联名小夜灯（正好拿来当奖品！），怎么才能让大家真正参与进来，一起high？
With the concept, animations, and the cool co-branded night light (perfect as prizes!), how could we get everyone genuinely involved and excited?
这时候，之前粉丝提的 '绘画接龙' 建议就派上用场了！
That's when the earlier fan suggestion of the 'Drawing Relay' came in handy!
这不仅是回应大家的期待，也是我想验证 'IP + 社区 + 品牌' 这个模式能不能跑通的关键一步。
This wasn't just about responding to expectations; it was also a crucial step for me to test the viability of the 'IP + Community + Brand' model.
规则不复杂，围绕四个星球主题，大家组队（6-9人一组），选一个主题开画。
The rules were simple: centered around the four planet themes, people formed teams (6-9 members per team) and chose a theme to start drawing.
核心奖励就是我们的小夜灯，再借助在得丘上海国际插画艺术节展出的机会，希望能给大家更多动力！
The core prize was our night light, and leveraging the exhibition opportunity at the Deqiu Shanghai International Illustration Art Festival, we hoped to give everyone extra motivation!
"黑天鹅"降临：意外降临的紧急自救 🆘 The "Black Swan" Arrives: Emergency Rescue for an Unexpected Crisis 🆘
推广主要靠社交媒体。结果，活动搞到一半，原定的发布平台（🐧🐧短视频）突然 '没' 了… 真的是'黑天鹅'本鹅 🦢，直接影响了活动中期的参与和评选，当时我内心想的是——完了……不！不能完！
Promotion relied heavily on social media. But then, halfway through the event, the originally planned platform (🐧🐧 short video app) suddenly 'disappeared'... A true 'Black Swan' event 🦢, directly impacting mid-term participation and judging. My initial thought was—it's over... No! It can't be over!
面对这种突发状况，光着急和抱怨完全没用。我深吸一口气，告诉自己：办法总比困难多，必须让活动继续下去！ 💪 于是，我迅速调整了策略：
Facing this sudden situation, panicking and complaining were useless. I took a deep breath and told myself: There are always more solutions than problems; the event must go on! 💪 So, I quickly adjusted the strategy:
- 将评选改为线下： 干脆把原计划基于线上数据的评选，改成了在后续线下展览现场投票。没想到这个改变反而增加了现场的互动。
Shifted judging offline: We simply changed the judging, originally planned based on online data, to voting at the subsequent offline exhibition site. Unexpectedly, this change actually increased on-site interaction. - 放宽规则限制： 有些队伍人数不够（比如只有5个人），或者创作形式比较特别（比如结合了图片和文字），总不能因此就把他们拒之门外吧。所以我灵活调整了展示方案，让大家的作品都能被看见。
Loosened rule restrictions: Some teams didn't have enough members (e.g., only 5 people), or their creation format was unique (like combining images and text). We couldn't just exclude them. So I flexibly adjusted the display plan to ensure everyone's work could be seen.
这些调整确实增加了不少工作量（天晓得为此加班了多少天），但也正是这次"被迫"的临场应变，让我这个独立创艺术人/菜鸟策展人，真正体会到心脏跟着项目一起"蹦极"的感觉 🎢，也明白了那句老话——"拥抱变化"，真的是生存的必备技能。
These adjustments definitely added a lot of work (heaven knows how many extra hours I put in), but it was precisely this "forced" improvisation that gave me, an independent artist/rookie curator, the real feeling of my heart "bungee jumping" along with the project 🎢. It also made me understand the old saying – "Embrace change" truly is an essential survival skill.
不完美的完美：波折中验证"共创"的力量 ✨ Imperfect Perfection: Validating the Power of "Co-Creation" Amidst Setbacks ✨
虽然过程波折，但最终的成果还是让人眼前一亮！活动收到了不少高质量的作品，大家的创造力惊人！✨ 有的小组甚至把接龙玩成了小动画，有的则用 精彩的小故事 串联画面。很多小伙伴热情高涨，甚至 一个人报了好几个组 ！
Although the process was bumpy, the final results were still dazzling! The event received many high-quality works; everyone's creativity was astonishing! ✨ Some teams even turned the relay into a short animation, while others used engaging short stories to connect the images. Many participants were so enthusiastic that one person even joined multiple teams!
Act III: Dream Landing 梦境落地
从像素到触感：为什么我决定"奔现"？ From Pixels to Palpable: Why I Decided to "Meet Offline"?
坦白说，虽然线上互动很方便，但总感觉隔着一层屏幕，少了点真实的链接感。
Frankly, although online interaction is convenient, it always feels like there's a screen separating us, lacking a sense of genuine connection.
一个能摸得着、感受得到的实体空间，不仅能将数字世界的想象力转化为真实的感官体验，更是对所有一起参与这趟旅程的朋友们（创作者、粉丝、品牌方）的一次集中汇报，也是建立真实联系的尝试。
A tangible, perceivable physical space not only translates the imagination of the digital world into real sensory experiences but also serves as a collective debriefing for all the friends (creators, fans, brand partners) who participated in this journey, and an attempt to build real connections.
说实话，第一次当策展人，就要面对一个60平米的场地，压力山大。但一想到能把'丹砂的魔法星球'完整地呈现出来，我就觉得一定要抓住这个机会。💪
Honestly, facing a 60-square-meter venue as a first-time curator was immense pressure. But the thought of being able to fully present 'Dansha's Magic Planet' made me feel I absolutely had to seize this opportunity. 💪
打造据点：不只看画，而是想和观众一起搞事情！ Building a Base: Not Just Viewing Art, But Making Things Happen with the Audience!
这次展览，我不只满足于展示作品和产品，心里还有几个'小目标'：
For this exhibition, I wasn't content with just displaying works and products; I had a few 'small goals' in mind:
- 建个据点： 给喜欢OC（原创角色）的朋友们，打造一个可以线下见面、交流、甚至一起涂鸦的地方。
Build a base: Create a place for friends who love OCs (Original Characters) to meet offline, chat, and even doodle together. - 探条新路： 以丹砂为起点，和场地方（感谢 @之间插画！）建立联系，试试看OC文化线上线下联动还能怎么玩。
Explore a new path: Starting with Dansha, establish a connection with the venue provider (thanks to @Between Illustrations!) and see how else OC culture's online-offline synergy can be played out. - 共建生态： 希望能推动一个创作者和粉丝能互相成就、玩在一起的文化氛围。
Co-build an ecosystem: Hope to foster a cultural atmosphere where creators and fans can mutually empower each other and have fun together.
策展人的思路：请随我一同"跃迁"展区 The Curator's Approach: Please "Warp" Through the Exhibition Zones with Me
基于这些想法，整个展览空间的设计就围绕着 '体验' 和 '互动' 来。
Based on these ideas, the entire exhibition space design revolved around 'experience' and 'interaction'.
我设计了一条参观路线，希望能引导大家一步步走进这个小小的'魔法星球'：
I designed a visitor route, hoping to guide everyone step-by-step into this little 'Magic Planet':
丹砂世界观档案馆 Dansha Worldview Archive
一进展区，我想先用一种不那么严肃的方式，带观众认识丹砂和她背后的"梦行人"世界。所以，我没搞太多复杂的说明，而是设计了一块对话式展板。观众可以想象成是我和丹砂在旁边聊天，告诉观众这个世界是怎么构思的，丹砂又是怎么一步步"长大"的。
Upon entering the exhibition area, I wanted to introduce Dansha and the "Dreamwalking" world behind her in a less formal way. So, instead of complex explanations, I designed a dialogue-style display board. Visitors could imagine it as me and Dansha chatting nearby, explaining how the world was conceived and how Dansha "grew up" step by step.
丹砂×Allholo联合研究所 Dansha × ALLHOLO Joint Research Lab
核心区来了！ 这里可以说是我和 @ALLHOLO "搞事情"的主阵地。我们一起把魔法、科技和大家的创作都揉在了一起，目标是打造一个既好看又好玩的空间。
Here comes the core zone! This was arguably the main stage where @ALLHOLO and I "made things happen." We blended magic, technology, and everyone's creations together, aiming to craft a space that was both visually appealing and fun.
- 首先，概念动画不能少： 循环播放着，希望能让观众快速get到四大星球的调调。
First, the concept animations were essential: Playing on loop, hoping visitors could quickly grasp the vibe of the four planets. - 其次，重头戏——联名小夜灯： 这次的小夜灯实物终于和大家见面了！为了让它们看起来更"贵气"（不是），我特意搞了一面深色的 "星空墙"，把小夜灯像星星一样嵌在上面。
Second, the main event—the co-branded night lights: The physical night lights finally met the public! To make them look more "luxurious" (not really), I specifically created a dark "starry sky wall" and embedded the night lights like stars.
然后，来互动拍照吧： 我设计了专门的主题打卡墙，还有四块丹砂等身KT板，每个丹砂都穿着不同时期的服装，造型也经过精心设计，想让她看起来像在和观众互动。旁边还有个超酷的3D裸眼屏幕，既是秀 @ALLHOLO 技术肌肉的地方，也是个绝佳的打卡点。
Then, time for interactive photos: I designed a dedicated themed photo wall, along with four life-sized Dansha KT boards. Each Dansha wore outfits from different periods, carefully styled to look like she was interacting with the audience. Nearby was a super cool glasses-free 3D screen, serving both to showcase @ALLHOLO's technical prowess and as an excellent photo spot.
最后，看看大家的画，顺便投个票： 之前的线上绘画接龙活动在短时间内收到了8组投稿，我把这些大作搬到了现场。观众可以在这里欣赏大家的创作接力，也为心中的最佳作品投上一票。
Finally, check out everyone's art and cast a vote: The previous online Drawing Relay event received 8 submissions in a short time, and I brought these masterpieces to the site. Visitors could admire the creative relay here and also vote for their favorite work.
设计者回廊 Designers' Corridor
这一区主要展示 "人民群众的智慧"。首先是之前"寻找丹砂的家居服"设计大赛的成果，当时收到了很多充满爱意的设计。然后，我也"夹带私货"地展示了一下我编写的第一个程序——那个为了拯救自己于水火（主要是封面排版）而捣鼓出来的 "丹砂封面机"。现场有展板，还配了个小纪录片视频，讲述了它从一个创作者的痛点，到最终被我吭哧吭哧做出来的故事。
This area primarily showcased the "wisdom of the masses." First were the results from the previous "Finding Dansha's Loungewear" design contest, which received many love-filled designs. Then, I also "smuggled in" a display of the first program I wrote – the "Dansync" (Dansha Cover Machine), cobbled together to save myself from the agony (mainly of cover typesetting). There was a display board and a short documentary video telling the story of how it evolved from a creator's pain point to something I painstakingly built.
OC即创空间 OC Instant Creation Space
展览的最后一站，更像是一个新的起点和我特别看重的互动心脏地带。这片区域完全是为OC同好们准备的。
The final stop of the exhibition felt more like a new beginning and the interactive heart I particularly valued. This area was entirely prepared for fellow OC enthusiasts.
- 粉丝互动墙： 这里成了大家给丹砂留言、了解我（创作者本人）动态、为未来活动许愿、以及领取限定壁纸福利的热闹角落。
Fan Interaction Wall: This became a lively corner for everyone to leave messages for Dansha, learn about my (the creator's) updates, make wishes for future events, and grab exclusive wallpaper freebies. - OC展示分享墙： 这边则是创作者们的专属舞台。让大家用提前准备的便利贴，分享了各自宝贝OC的设定和故事。我还设计了 "假如你的OC遇见丹砂" 的互动题板，来收集各种脑洞碰撞。旁边则是未来活动畅享区，为下一次OC展会采集灵感。
OC Showcase & Sharing Wall: This side was the dedicated stage for creators. Using pre-prepared sticky notes, people shared the settings and stories of their precious OCs. I also designed an interactive prompt board, "What if your OC met Dansha?", to collect various imaginative encounters. Adjacent was the future event brainstorming area, gathering inspiration for the next OC exhibition.
总之，我特别希望这里能成为一个大家可以放松交流、找到同好、甚至激发新灵感的温馨小据点。从现场反响看，它确实在某种程度上做到了这一点，看到大家玩得开心，我也很开心。
In short, I truly hoped this could become a cozy little hub where everyone could relax, chat, find like-minded friends, and even spark new inspiration. Judging from the on-site response, it did achieve this to some extent. Seeing everyone having fun made me very happy too.
现场那些事儿：计划赶不上变化，但我没放弃！😅 On-Site Happenings: Plans Change, But I Didn't Give Up! 😅
理想很丰满，现实… 你懂的。
The ideal is plump, reality... well, you know.
从设计图到现场落地，总会遇到各种意想不到的状况：
From design blueprints to on-site execution, unexpected situations always arise:
- 贴错墙的"惊喜"： 比如，工人师傅不小心贴错了关键的一面背景墙… 时间又来不及换，怎么办？只能现场紧急调整方案，移动展品，改变视觉引导，硬着头皮上了。
The "surprise" of a misplaced wall sticker: For instance, the workers accidentally put up a key background wall sticker in the wrong place... There was no time to change it. What to do? We had to make emergency adjustments on the spot, move exhibits, alter visual guidance, and just push through. - 消失的"引路牌"： 原计划放在入口吸引眼球的装置没能准时到场，导致入口很不显眼，观众很容易就走过了… 急中生智，我和合作方门赶紧协调调整了动线，还拜托志愿者小天使们用 '吆喝' 大法来引流。
The vanishing "signpost": The installation planned for the entrance to attract attention didn't arrive on time, making the entrance inconspicuous and easy for visitors to miss... Thinking quickly, my partners and I coordinated to adjust the flow, and asked the volunteer angels to use the 'shouting' method to draw people in. - 电路和"桑拿房"： 现场还遇到了显示器电路问题、展厅闷热🥵等硬件问题。这时候，考验的就是沟通、耐心和解决问题的能力了。
Circuits and the "sauna room": We also encountered hardware issues on site like monitor circuit problems and the exhibition hall being stuffy and hot 🥵. This tested our communication, patience, and problem-solving skills. - 总有遗憾，但都是经验： 虽然我已经尽了最大努力去解决问题，但受限于经验和客观条件，还是有很多不完美的地方。不过没关系，这些都是宝贵的 '学费' ，这次经历我会好好复盘，下次争取做得更好！
Always regrets, but always lessons learned: Although I did my best to solve problems, limited by experience and objective conditions, there were still many imperfections. But that's okay, it's all valuable 'tuition' paid. I'll thoroughly review this experience and strive to do better next time!
展后碎碎念：一些经验和教训 ✍️ Post-Exhibition Musings: Some Experiences and Lessons ✍️
第一次独立策展下来，确实学到了不少东西，也踩了不少坑，总结几点：
Having curated independently for the first time, I definitely learned a lot and stepped into quite a few pitfalls. Here are a few takeaways:
- 少即是多，重点要突出：
说实话，现场观众大多是 '走马观花' ，大段文字、复杂技术细节很难留住人。下次得用更醒目的大标题、更清晰的结构、更抓眼球的排版！
Less is more, emphasize the key points:
Honestly, most visitors on site are just 'browsing' casually. Large blocks of text and complex technical details struggle to hold attention. Next time, I need to use more prominent headlines, clearer structure, and more eye-catching layouts! - 互动形式要直观，降低参与门槛：
我发现，相比于需要花心思构思、有点"烧脑"的纯文字剧情互动或设定共创，大家在现场明显更偏爱那些能立刻动手、视觉呈现更直接的环节，比如在涂鸦墙上画画、给喜欢的作品投票，或者用便利贴快速分享OC的核心亮点。这可能因为线下环境节奏快，太复杂的互动形式确实会让人有点"望而却步"。所以，Lesson Learned：未来线下活动的互动设计，要更侧重即时性、易上手和视觉化，让大家能轻松愉快地参与进来，快速获得满足感。
Interaction should be intuitive, lower the barrier to entry:
I found that compared to text-based narrative interactions or setting co-creation that require more thought and are a bit "brain-burning," people on site clearly preferred activities that were immediately hands-on and visually direct. Examples include drawing on a graffiti wall, voting for favorite works, or quickly sharing OC highlights on sticky notes. This might be because the offline environment is fast-paced, and overly complex interactions can indeed be daunting. So, Lesson Learned: Future offline event interaction design should focus more on immediacy, ease of use, and visualization, allowing everyone to participate easily and happily, achieving quick satisfaction. - 引导要大！要醒目！要独立！
这次深刻体会到，任何需要观众扫码、拍照互动、参与活动的引导信息，都必须做到极致的醒目。仅仅贴在墙上是不够的，很容易被淹没在信息流里。下次，重要的二维码、活动说明、拍照姿势建议等等，都得用独立的、大尺寸的KT板之类的形式，直接"怼"到观众面前，确保他们一眼就能看到，并且轻松理解要做什么。
Guidance must be BIG! EYE-CATCHING! INDEPENDENT!
This time, I deeply realized that any guidance information requiring visitors to scan codes, interact for photos, or participate in activities must be extremely prominent. Simply sticking it on the wall isn't enough; it gets easily lost in the information flow. Next time, important QR codes, activity instructions, photo pose suggestions, etc., must be presented using independent, large-sized KT boards or similar formats, placed directly "in front of" the audience, ensuring they see it at a glance and easily understand what to do. - 策展只是开始，现场应变是常态：
方案做得再好，现场也总有意外。保持耐心，积极想办法解决问题，'心态稳住，我们能赢'，这大概是策展人的必备修养吧。
Curation is just the beginning; on-site adaptation is the norm:
No matter how well-planned, there will always be surprises on site. Maintaining patience, actively finding solutions, and keeping a mindset of 'stay calm, we can win'—this is probably an essential quality for a curator.